Striking the Right Tone in Written Feedback

By Joe ForeJoe Fore

Professor Fore is a CTE Faculty Fellow and Co-Director of the
Legal Research and Writing Program at the University of Virginia School of Law.


Providing written feedback on students’ writing is one of the most important—and time-consuming—parts of any instructor’s job (Grearson, 2002). But even the most thorough, helpful feedback can fall flat if it’s delivered in the wrong tone. Feedback written in a productive tone is more likely to be understood, appreciated, and acted upon, whereas the wrong tone can prevent students from hearing and implementing your guidance (Fink, 2013; Gottschalk & Hjortshoj, 2004; Rupiper Taggart & Laughlin, 2017). Particularly harsh comments can demoralize students, dissuade them from further writing experiences, and even haunt them years later (Ferris, 2018).

What exactly is the “right” tone? The precise tone you want to convey depends on various factors—including your relationship with your students, the level of students involved, the length and type of assignment, the point in the semester, and your personality. But, generally speaking, students tend to respond best to feedback that’s candid, empathetic, supportive, encouraging, constructive, and respectful (Enquist, 1996; Fink, 2013; Gottschalk & Hjortshoj, 2004). By contrast, students respond worse to feedback that’s interpreted as sarcastic, cruel, accusatory, condescending, disrespectful, pessimistic, or patronizing (Enquist, 1999; Rupiper Taggart & Laughlin, 2017).

Click image to view infographic.
Striking the Right Tone in Written Feedback

Fortunately, there are many strategies to help you strike the right tone in your writing feedback.


Lay the groundwork

Making sure that students hear the right tone in your critiques starts before they even turn in their assignment. The very first step is preparing students to understand and receive your feedback the way you intended it.

  • Explain your motives. Students need to know that your feedback comes from a place of caring and not one of judgment or mean-spiritedness. This is particularly important for students of color, who may have trouble "determining whether negative feedback is a result of bias or, just as detrimental, whether positive feedback is a form of racial condescension" (Godsil, 2014, pp. 17). Let students know that you’re giving them feedback because (1) you have high expectations for their work, and (2) you believe in their ability to meet those expectations. With these messages in mind, students will realize that your positive comments are genuine, earned praise, while critical comments reflect actual areas where students need to improve.
  • Normalize constructive criticism. Explain that feedback—including honest, extensive critique—is a crucial part of the learning process. Share your own experiences of getting feedback, how difficult some comments were to hear, and how the feedback helped you improve your future work. Hearing these messages will help students understand that constructive criticisms aren’t signs of weakness; they’re necessary parts of their growth (Mansour, 2019; Rupiper Taggart & Laughlin, 2017).
  • Prepare students emotionally. Acknowledge and prepare students for the negative emotions they may feel when they see critical feedback on their work (Enquist, 1999). And encourage students to take time to process those feelings before coming to talk to you about your feedback, which may help them respond more thoughtfully and reflectively. Set a "cooling-off period"—somewhere between 1 and 4 days—after students receive feedback before you meet with them (Nilson, 2016; Rupiper Taggart & Laughlin, 2017).


Get in the right headspace

Before commenting, expressly remind yourself of some core principles and goals. This will keep you on track and make it less likely that your tone will drift into negativity.

  • Know your role. As instructors, our job isn’t merely forcing students to say what we want in the same way we would say it. Nor is it our job to play copy editor and "fix" everything in our students’ writing. Instead, we want to be mentors/coaches who help students develop their own styles, voices, opinions, and thoughts. We want to aim for "respectful guidance, rather than top-down authority" (Rupiper Taggart & Laughlin, 2017, pp. 2). Keeping this goal in mind can help us avoid slipping into a condescending tone.
  • Assume the best. Always start with the assumption that students are trying their best. Assuming—or worse yet, saying—that a student procrastinated is a lose-lose scenario. If the student really didn’t put in the effort, they don’t need reminding. And if a student did try their best, imagine how frustrating it would be for them to be accused of laziness—or how demoralizing it would be to hear that the writing looks like it was dashed off quickly. So before you start commenting, remind yourself that your students’ shortcomings likely come from inexperience or a lack of understanding—not from a lack of effort (Enquist, 1999; Glaser, et al., 2002). This will help prevent your comments from slipping into an angry, sarcastic, or accusatory tone.
  • It’s a dialogue, not a monologue. Ultimately, your comments are part of a broader, ongoing conversation with your students—not your one chance to get everything across (Davis, 2006; Gottschalk & Hjortshoj, 2004). You need not say everything that you’d like to, either positive or negative. For example, especially critical feedback might be best delivered in person, where tone can be more thoughtfully regulated. So offer students the chance to talk to you directly about further questions they might have.


Point out positives

As instructors, we sometimes get so hung up on the need to critique our students’ writing that we forget the other side of the coin: pointing out things they did well (Enquist 1996; Enquist, 1999; Fore, 2017).

Positive comments reduce defensiveness, making students more receptive to the rest of your feedback. After all, it’s a lot harder to be angry or defensive when the other person starts off by saying something nice about you. That’s why the classic self-help text How to Win Friends and Influence People says the very first step in encouraging someone to change their behavior is to "begin with praise and honest appreciation" (Carnegie, 1981, p. 198). Positive feedback also motivates students, "provid[ing] a powerful incentive to continue learning and to continue improving" (Fink, 2013, p. 108). So point out good things early and often (Fore, 2020; Hanley, 2009).

However, your praise must be genuine. While it’s tempting to sprinkle in niceties to soften the blow of harsher critiques, fake compliments can do more harm than good. Blanket statements like "good job" or "great work"—if not entirely honest—might drown out areas that need improvement. Similarly, telling a struggling student that their paper is “almost there” or “very close” or “just needs a bit more work” can give a false impression that the work requires only some minor tweaks. So students might resist or ignore more extensive changes or leave themselves too little time to revise (Rowe, 2014, pp. 18.) Instead, positive feedback should focus, honestly, on specific "examples in the student’s own work that he or she can draw on and use again in other contexts" (Enquist, 1996, pp. 188).

If you’re struggling to find positives to say, you can always acknowledge the student’s effort. A simple, honest phrase like “I appreciate the time you spent on this assignment” can set a positive tone without sugar-coating the substantive issues (Rowe, 2014, pp. 15).


Focus on "it"—not on "you"

Think about some typical comments you might write on a student paper:

  • "You need a clearer topic sentence for this paragraph."
  • "Develop this point more."
  • "Your reasoning here needs more support."

Even though our task is supposed to be critiquing writing, these comments all have one thing in common: they focus on the student. The first two comments have—directly or indirectly—the student as the subject, while the third comment assigns the writing ownership by using the possessive your. "This kind of 'you'-centered feedback immediately puts recipients on the defensive by suggesting that they—and not their work product—are being judged" (Fore, 2017).

Instead, we want to focus on the words on the page. An easy way to do this is to banish "you" from your comments. Using "you" in written comments "creates an unnecessary opposition between reader and writer that can be seen as confrontational by the student" (Davis, 2006, pp. 101). Cutting "you" puts the focus—appropriately—on the writing and "produces enthusiasm rather than defensiveness" (Enquist, 1999, pp. 1148). With this idea in mind, we can rephrase our comments to remove any reference to the student and make the writing the subject:

  • "This paragraph needs a clearer topic sentence."
  • "This point needs more development."
  • "The reasoning here needs more support."


Role play

Another way to depersonalize feedback and avoid the me-vs.-you dynamic is to frame your comments in terms of a generic reader’s wants and needs. One way is to couch things expressly in terms of what a particular, third-party reader would think: "Here, a reader might be a bit confused…" or "A supervisor might be wondering…" (Davis, 2006, pp. 92; Enquist, 1996, pp. 185-86; Grearson, 2002, pp. 164).

You can go one step further and align yourself with your students by wording comments like, "It would be more helpful to the reader if we…" Phrasing comments this way builds ethos by giving you and your students a shared goal of helping the unseen reader (Davis, 2006, pp. 101-02). Phrasing comments in terms of the reader’s needs also helps students develop empathy by showing "why the successes and problems in the document are so important to the reader" (Fore, 2017; Fore, 2020; Gionfriddo, Barnett, & Blum, 2009, pp. 198). Because it focuses on the reader’s particular needs, this strategy might be most beneficial in courses or assignments where students write to a specific audience, e.g., a policy memo to an elected official, a motion to a judge, or an op-ed to a local newspaper (Enquist, 1996, pp. 185).


Use your voice

Despite our best efforts, it can be tough to get the tone exactly right in writing. So try replacing or supplementing your written feedback with audio or video recordings, which lets you speak directly to your students (Bahula & Kay, 2020; Gottschalk & Hjortshoj, 2004). Research on video feedback suggests that the combination of audio and visual elements helps students understand and implement feedback. Research also shows that video feedback increases student engagement, with students spending more time reviewing video feedback than written comments. And, specifically, from a tone perspective, seeing and hearing the instructor leads students to see video feedback as authentic, personal, friendly, and positive (Bahula & Kay, 2020).

Indeed, video commentary even offers some advantages over in-person meetings, including the ability to edit or re-record—helpful for times when you might say something confusing or with an improper tone. And, of course, students can go back and watch the video multiple times to ensure that they get the point. Knowing that they can revisit the information, students can focus on big-picture ideas and learning rather than note-taking, the way they might be tempted to in an in-person meeting.


Punctuate with caution?!?

Specific questions directed at the writer can be an effective and efficient way to point out issues: Is there published research that we could cite to substantiate this point? What are the potential counter-arguments to this point? (Gottsschalk & Hjortshoj, 2004). Indeed, these open-ended questions are often the most effective kinds of comments, since they require students to reflect on their own instead of just mechanically making edits (Ferris, 2018). On the other hand, shorter, generic questions—Really? Are you sure?—can come across as sarcastic or condescending. Likewise, exclamation points—especially when paired with brief, vague comments like Great job!!! or Yikes!—might be interpreted as angry, sarcastic, or insincere (Enquist, 1999, pp. 1148; Enquist, 1996, pp. 180, 189).


Typography matters

For those who still rely on handwritten comments, the quickest way to improve your tone is to ditch the red pen. Studies suggest that students interpret comments written in red more harshly; so try blue or green (Bahula & Kay, 2020; Dukes & Albanesi, 2016; Enquist, 1999). And for those who type their comments, AVOID TYPING IN ALL CAPS, which appears angry and sarcastic (Davis, 2006).



This post is part of a series by Joe Fore on writing pedagogy. Read his previous post "7 Strategies to Help Students Adopt a Growth Mindset in Your Writing Course." 


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